![]() ![]() It helped to hand-pick people that we had already worked with closely for the key positions.”ĭickinson also held existing relationships with every vendor, the only exception being Christie Lites. “But all of the people we hired were highly experienced, just not with this band. “There was a bit of training to do at the very beginning,” he stated. When it comes to road crew, there were a few new faces. In Manchester, local catering was provided by Bittersweet. After a few interviews with management and the band, it was a done deal, and here we are – almost seven years later!” he began.ĭickinson’s chosen suppliers? Christie Lites, Eighth Day Sound, Pyrotek Special Effects, Gallagher Staging, Grosh Draping, TransAm Trucking and the luxurious Beat The Street tour buses. An old friend and colleague, Mike LaTronico, had signed on as their Tour Manager at the beginning of 2012, and he recommended me for the role of Production Manager. “My call for Slayer tour came somewhat out of the blue. ![]() ![]() If you like your venue rooves roared down, there was only one place to be this November.Ĭamp Slayer was led by Production Manager, Patrick Dickinson, a road veteran with the necessary expertise to handle a touring thrash metal brigade. During their 6-date reign of UK arenas, Slayer, which is now completed by Paul Bostaph and Gary Holt, was supported by Lamb of God, Anthrax, and Obituary. Still throttling his signature six string, Kerry King is far more to this production than a tattooed axeman his input into the show design - which included more flames and fog than your usual metal gig – is evident.
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